The new CD by Theatrum Affectuum with works by Nicola Matteis.
Theatrum Affectuum:
Recorder – Andreas Böhlen
Violin – Ayako Matsunaga
Cello – Pierre-Augustin Lay
Lute and Baroque Guitar – Giangiacomo Pinardi
Harpsichord – Takashi Watanabe
The new CD by Theatrum Affectuum with works by Nicola Matteis.
Theatrum Affectuum:
Recorder – Andreas Böhlen
Violin – Ayako Matsunaga
Cello – Pierre-Augustin Lay
Lute and Baroque Guitar – Giangiacomo Pinardi
Harpsichord – Takashi Watanabe
Jazz saxophonist Andreas Böhlen’s debut album offers an innovative blend of fiery grooves, modern-jazz-complexity and lyrical moments. Böhlen’s compositions and improvisations are partly influenced by his background in classical early music, and yet they sit comfortably in the idiom of Modern Jazz. The end result is an absorbing and precise musical statement.Jazz saxophonist Andreas Böhlen’s debut album, offers an innovative blend of fiery grooves, modern-jazz-complexity and lyrical moments. Böhlen’s compositions and improvisations are partly influenced by his background in classical early music, and yet they sit comfortably in the idiom of Modern Jazz. The end result is an absorbing and precise musical statement.
Alto Saxophone – Andreas Böhlen
Guitar – Sebastian Böhlen
Drums – Severin Rauch
Bass – Jakob Dreyer
Music by: Donald Bousted, Peter Eötvös, S. S. Smith, Wolfram Graf etc.
Andreas Böhlen – recorder
Tobias Guttmann – marimba and percussion
Geeta Abad – violin
This recording includes a selection of Satyr’s Band’s creation of a 17th- century courtly masque, incorporating original compositions as well as own arrangements and improvisations. Furthermore, three Italian chamber works by Dario Castello, Andrea Falconieri and Antonio Vivaldi are included in the recording.
Recorder – Andreas Böhlen
Recorders and Baroque oboe – Amy Power
Baroque Bassoon – Lisa Goldberg
Harpsichord – Takashi Watanabe